thefile:

→ Green Chartreuse, I, 30 x 40 inches, Barbara Cole

 ▣ Chromatics  Figure transformation has been a predominant theme in my work over the  past twenty-five years. I have been operating as a painter but employing  traditional photographic tools.  Over the past decade, my practice has  explored the medium of water and in this new project, C h r o m a t i c  s, I find myself moving in a very different and exciting new direction.  Still working with water I am connecting back in history, reinterpreting  the meaning of the Colour Field work and such great painters as Mark  Rothko, Helen Frankenthaler, Morris Lewis and Barnett Newman among so  many others. I photograph from above in order to flatten the  perspective. I rework this canvas with a toolkit that includes clouds,  reflections, plastic sheeting, cloth-encased figures as well as  aperture, shutter speed and artificial lighting. It is important that I  am able to capture these photographic constructions in-camera, creating  on site, rather than relying on photographic artifice.
 http://www.barbaracole.com/

thefile:

Green Chartreuse, I, 30 x 40 inches, Barbara Cole

 ▣ Chromatics
Figure transformation has been a predominant theme in my work over the past twenty-five years. I have been operating as a painter but employing traditional photographic tools. Over the past decade, my practice has explored the medium of water and in this new project, C h r o m a t i c s, I find myself moving in a very different and exciting new direction. Still working with water I am connecting back in history, reinterpreting the meaning of the Colour Field work and such great painters as Mark Rothko, Helen Frankenthaler, Morris Lewis and Barnett Newman among so many others. I photograph from above in order to flatten the perspective. I rework this canvas with a toolkit that includes clouds, reflections, plastic sheeting, cloth-encased figures as well as aperture, shutter speed and artificial lighting. It is important that I am able to capture these photographic constructions in-camera, creating on site, rather than relying on photographic artifice.

theories-of:

Dana Schutz-Swimming, Smoking, Crying, 2009

theories-of:

Dana Schutz-Swimming, Smoking, Crying, 2009

galeriabrama:

Adam Krenich - Pejzaż Morski
Obraz olejny na płótnie | Oil on canvas

galeriabrama:

Adam Krenich - Pejzaż Morski

Obraz olejny na płótnie | Oil on canvas